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Exhibitions

«Lost Postcards» solo show at Zach Studio, Georgetown. Penang. Malaysia

By Exhibitions

“Our evolution as a species has been intermittently linked to this trail of barbarism that we leave at every step.” explains artist Isaac Cordal about the premise of progress dictated by society.

For his solo exhibition, “Lost Postcards” Cordal pays close attention to the human condition and presents his perspective on overtourism through his signature miniature sculptures.

Using photography and sculptures, Cordal emphasises on the double – edged concept of mass tourism. He suggests that tourists are the most effective army in history, and at some point, we are all part of an immense mass that colonises the world. We change into our vacation clothes, just to be part of the machinery called tourism. We open our suitcases in remote places, look out the window and everything becomes an immense set. We stand in huge lines under the sun to confirm that what we see is real, and corresponds to the image described in travel guides. It fills us with vitality to observe that the passage of time and nature have not yet completely overcome the vestiges of the past, and for a moment, a halo of immortality is captured on our memory cards. The terrifying thing is that these places disappear as we visit them.

“Tourism is the finished form of war”– Marc Augé

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disCONNECT. Schoeni Projects. Hong Kong

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disCONNECT group exhibition can currently be seen in Hong Kong.

11 October – 29 November 2020 (Wednesday – Sunday, Noon – 8pm)

Tenement Building: 2-4/F 16 Pak Sha Road, Causeway Bay, Hong Kong

 

disCONNECT is an exhibition that responds to the pandemic and explores themes of connection, belonging, isolation and reliance on technology at the time of COVID19. From the rigorous pre-exhibition planning to exhibition realisation, the practice corresponds with worldwide lockdown, quarantine and restrictions throughout the entire period.

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Walls Enclosure. Urban Spree Gallery. Berlin

By Exhibitions, Group shows

WALLS
URBAN SPREE GALLERY
17.01.2020 – 29.02.2020
Revaler Str. 99 (Revaler x Warschauer)
Berlin, 10245

 

The 13-character installation “Wall Enclosure“ was created in situ at Urban Spree in January 2020 by Isaac Cordal for the “WALLS” exhibition.

It is a dark and powerful dystopian evocation of loneliness, bureaucratie, and alienation. A miniature universe set in a series of upcycled kitchen furniture, spray painted and enhanced with patina.

 

 

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LA COMEDIE HUMAINE AT BAYONNE, FRANCE

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Exposition du 19/10 au 19/11/17
La poudrière / Bastion Royal / Bayonne / France
Du mardi au dimanche
de 14h à 19h – prix libre

 

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Within the activities of the week of street art for the Festival Points de Vue , organized by Spacejunk´s art centers, I have presented my itinerant exhibition called La comédie humaine which includes some of my artworks made since 2013.

 

La Comédie Humaine is a work in progress show that reflects on the side effects of the side effects of our stupidity. Artworks displayed are changing depending on the space. This time, the space, is an old army fortress that looks like a kind of bunker-chapel with thick stone walls, very interesting to play with the lights and very charm for its silence . The exhibition is made up of small installations, photographs and a large installation in the center of the space. The central installation is titled The School, an reflection on how education has become an industry where schools have become a business and students have become clients. The constant pursuit of  profit has destroyed the values of knowledge by considering useless everything that is not productive. A factory is here converted into a large reading room, to illustrate that we live immersed in the industrialization of thought.

Thanks to Alban, Audrey, all volunteers, artist and everyone involved in the project.

 

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La société?! – group show at Atelier des bains, Geneva. Switzerland

By Exhibitions, News

La société?! (society ?!) is an exhibition, which brings three artists from three different countries together. The exhibition title shows his meaning once the viewer will enter the gallery; it is a vibrant and sometimes hidden critic on our modern day society. In order to make this critic even stronger the show brings together three different mediums, painting, photography and sculpture.


Slinkachu‘s photography seems harmless and very pleasing to the eye at first it is only when we analyse the subjects that the viewer starts realizing that there might be something else hidden in these photos.


Isaac Cordal‘s miniature sculptures are more direct in bringing the message to the spectator, however the viewer has to come a lot closer to the work in order the appreciate the details of the work and some hidden symbols.

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Pixel Pancho‘s in contrast shows us an alternative world, a perfect harmony, family portraits or perfectly normal aspects of life, however the twist is that his world is only represented by robots. Are robots better humans? Can they help for a better world? What is the difference between a humanoid and a mechanical robot?

https://www.facebook.com/AtelierDesBains/

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